Leonie Remembers

My most neurotic Parsifal,
Chosen without a clue.
He neuterized his tenor voice,
Forgot what males might do.

How could I, his Mary Magdalene
Seduce this Holy Fool?
That night he gave and would not take,
The femme fatale his tool.

Never enthralled by his own voice,
What chance had flower maids!
Redemption was his purposed task,
The spear which he conveyed.

{The music ruminates on its redemptive power.}

We were the music makers,
Lucky dreamers dreaming dreams.
We truly thought him Parsifal,
He was—or so it seems.


8d30bd1aed973b42988f5c33f0eb38d8--elisabeth-opera copy.jpg

Leonie Rysanek

Rysanek had a dramatic intensity that was unmatched. I remember fondly her Twenty Fifth Metropolitan opera anniversary where she sang Act Two of Parsifal and Act One of Die Walkure. She could be pitchy but who cared.

 
0PRR_WEBSITE copy 3.png
 

Walt Whitman and the Phrenology of Murder

Set against the backdrop of antebellum Manhattan and Brooklyn, this historical mystery mixes sexual mores, politics, music, poetry, and the science of Phrenology in a compelling portrait of a transitional time.